Wednesday, July 22, 2009

The reality of a dream

I know this boy named Mohammed.

He made a journey from Gaza to the U.S. I met him when he was still a Gazawi living in Gaza. I followed him when he traveled to Egypt. And I've kept in touch with him as he has settled in the U.S.

Today, I asked him how his view of America has changed since he's actually experienced it. He doesn't like it now that he knows it.

I've often found that the "dream" of America is quite appealing to those who live outside--who are forbidden a ride in the amusement park of freedom that they consider the U.S. to be. For those who manage to get a ticket in, like Mohammed, that dream quickly atrophies into a reality that is much less attractive.

Being the charitable person I am, I spend much time breaking the fog machine, and convincing any dreamers that America is not that amusing. I've delightfully burst many fantasy bubbles.

I know this boy named Awni. He has burst those bubbles too.

Once upon a time, he made a journey from Ramallah to the U.S. He later returned to Ramallah. I met him after he had been through the U.S. experience.

We once discussed the idea of the U.S. that many Palestinians dream about. He told me this: "They think that when you arrive at the airport in the U.S., you'll have suitcases of money waiting for you"...to welcome you and help you start the process to success.

Oh what an illusion they keep in their minds! If they only lived in their dreamland, they'd realize the farce, and the dream will quickly lose its luster.

That is what this boy I know named Nasser keeps telling me--but about Ramallah. I met him in Ramallah, and he has never been anywhere else. "Reem," he tells me, "you will only like living in Ramallah until you are bitten by the reality of it." (He and others have tried to reciprocate the bubble-bursting.)

But my dream of Ramallah living is not Disneyland-ish, and there is no luster to dull. My vision includes the reality: the isolation, the 7awajiz, the chance of being stranded or beaten or arrested or denied. I do not fantasize about welcome baskets, filled with knafa and shekels, handed to me by the friendly Jewish boy and a smiling Palestinian girl couple who met in and have been trained to embody Seeds of Peace.

In fact, I make a point to dig the harsh Ramallah life realities into the crevices of my brain and my bones. And still, I dream about it, and I still want it.

You see, my dreamland Ramallah holds something that Mohammed's, Awni's, Nasser's, and other Palestinians' U.S. dreamlands can not include for them--roots.

In my dream, I'm given my right of return. My dream lets my soul settle in and sigh relief--like a worker who has finally reached home after a long day.

My dream takes my spirit back to its creation place: To the Palestine from which it was ripped before it ever got the chance to ripen--uprooted and tossed into a U.S.-based cadaver, which was greedily waiting to push out and blink first in Fairfax. In my dream, my yearning spirit is allowed to escort my body home--to feel the Beitilu wind caress my face with its gentle, olive-scented palms, like a mother embracing her long-lost child.

My dream permits my eyes to gaze upon the jbal that my father once ran toward while kicking his soccer ball; and to touch the olive trees that my grandfather once leaned against, seeking shade from the high noon sun; and to breathe the air that my great grandfather once summoned into his nostrils as he planted our waton. In my dream, I am reborn into those mountains with every step I chip-away from that earth.

Yes, my Ramallah dream is different than their U.S. dreams. My dream does not hold fantastical hopes for a money-filled future and multiple knocks of materialistic opportunities--it craves an opportunity to create priceless memories that may have otherwise described my past. My dream does not atrophy into reality--it rebuilds it.

Sunday, July 19, 2009

My status

My life has been simmered down to statuses:

CURRENT FACEBOOK: Reem El-Khatib

sums up her day (so far) thusly: biological-heart shaped calf muscles; plant bite; "heeeeeloooowww" in a deep voice; stranger head nod and wave x 2; megaxe; Rita's Frozen Custard Pretzel Blendini.

CURRENT TWITTER: Callmepali included Paul van Dyk, Kelly Clarkson, Jane's Addiction, George Wassouf, & Shakira in her song list 4 the cardio-kickboxing class--sababa.

The demand by Facebook and Twitter to keep my "friends" and "followers" updated on what I am doing has taken over much of my thought process--so much so, that I find myself thinking in "status." I also find that whenever I hear or think something remotely clever, I have an urge to log on and update.

Why?

Because I need to share, so you can enjoy it and tell me so--and stroke my ego?

But I am not vane--am I?

Well, why else would callmepali want people to care about what she is doing or thinking--and more so--want them to feel that her status is interesting enough to respond?

It seems to be a subconscious cry for attention and acceptance. It's my opportunity to step into a make-shift spotlight for as many minutes, hours, or days as I'd like, without being overtly self-absorbed or causing a ruckus in a public place. It's my chance to showcase my wit, humor, charm, wisdom, and knowledge without coming off as a snob--and for you to confirm that I am witty, humorous, charming, wise, and knowledgeable. After all, I'm telling you these things because you are a "friend" or a "fan" and you signed up to know, and to read all about it.

It is also a 140-character listening and therapy session--with you as my listeners and therapists: I hint at my sadness and depression so that you can tell me it'll be OK, and to chin-up, and you can say "salamtik." I temporarily can suck your attention toward my "problems" via my status vacuum for as long as I want you to pay attention. And I can make you pity me without coming off as pitiful.

My statuses will not be likely to affect your life in any major way--but you'll likely continue to read them. And I will read yours. And we'll continue the cycle of "I'll stroke your ego, if you stroke mine." And it'll be OK and acceptable because that is what we've all signed up for.

NEW FACEBOOK: Reem El-Khatib

does not think you truly care what she is thinking right now--nor should you.

But don't you? Please respond.



Saturday, July 4, 2009

Serr

I can't get that voice out of my head. And each time it repeats, it gets louder and uglier, as does my hate for it.

But no one can know about how much I hate right now--it's a secret; serr.

And so I'll remain calm on the surface, and keep my collapse inside--hidden underneath my superficial self. There it will remain mine and it will not affect anyone else.

But the voice is excruciating: her Arabic stands out against theirs and the cackling and chain smoke I hear and imagine in the background. It's very rare that I invest enough energy to hate anything--so I must keep this serr.

"Go away, and get away," I wish.

I try to drown it out with a steady stream of amplified sound through my ear buds. The voice keeps "coming around again. When it comes, it comes unannounced and it feels like a matador is taunting me with his reddest red cloth--and I am the bull," Brandon tells me (it seems he's experienced these feelings too).

His song and those that follow simultaneously supplement the cheap voice, feeding it and emphasizing it; and are challenged by it. That hideous female voice delivers a white-noise slap on the next song's noted cheek. A duel is decreed and ensues.

The gang of songs drown out the wretched pitch of her Arabic--a language I love, but hate right now. And just as it seems the melodies would be the victor in this melee, she reveals her secret weapon, her serr: his voice.

Had his voice not been there, hers would've never been heard; had he not been there, she would not be hated. Had I not heard them together, there would be no serr to write of.

His words are more lethal than hers: They lunge at the soothing songs, and twist and turn the sharp tip of their knives through the music shield, passed the core, and into my heart.

The songs surrender, and assimilate with the challengers' posse: her voice; his voice, now amplified by songs of anguish and love and heartbreak.

It's too much. I pause my iPod, and take out my ear buds, and anxiously listen for silence. I deny the tear that just as anxiously wants to stream down my cheek--I have to; I must erase any evidence of this morning battle, and keep it serr.

Lazim a tanish. It's time for coffee with mom. I sit down on the couch in the living room, give her a saba7 il khair smile, and turn on VH1.