Wednesday, July 22, 2009

The reality of a dream

I know this boy named Mohammed.

He made a journey from Gaza to the U.S. I met him when he was still a Gazawi living in Gaza. I followed him when he traveled to Egypt. And I've kept in touch with him as he has settled in the U.S.

Today, I asked him how his view of America has changed since he's actually experienced it. He doesn't like it now that he knows it.

I've often found that the "dream" of America is quite appealing to those who live outside--who are forbidden a ride in the amusement park of freedom that they consider the U.S. to be. For those who manage to get a ticket in, like Mohammed, that dream quickly atrophies into a reality that is much less attractive.

Being the charitable person I am, I spend much time breaking the fog machine, and convincing any dreamers that America is not that amusing. I've delightfully burst many fantasy bubbles.

I know this boy named Awni. He has burst those bubbles too.

Once upon a time, he made a journey from Ramallah to the U.S. He later returned to Ramallah. I met him after he had been through the U.S. experience.

We once discussed the idea of the U.S. that many Palestinians dream about. He told me this: "They think that when you arrive at the airport in the U.S., you'll have suitcases of money waiting for you"...to welcome you and help you start the process to success.

Oh what an illusion they keep in their minds! If they only lived in their dreamland, they'd realize the farce, and the dream will quickly lose its luster.

That is what this boy I know named Nasser keeps telling me--but about Ramallah. I met him in Ramallah, and he has never been anywhere else. "Reem," he tells me, "you will only like living in Ramallah until you are bitten by the reality of it." (He and others have tried to reciprocate the bubble-bursting.)

But my dream of Ramallah living is not Disneyland-ish, and there is no luster to dull. My vision includes the reality: the isolation, the 7awajiz, the chance of being stranded or beaten or arrested or denied. I do not fantasize about welcome baskets, filled with knafa and shekels, handed to me by the friendly Jewish boy and a smiling Palestinian girl couple who met in and have been trained to embody Seeds of Peace.

In fact, I make a point to dig the harsh Ramallah life realities into the crevices of my brain and my bones. And still, I dream about it, and I still want it.

You see, my dreamland Ramallah holds something that Mohammed's, Awni's, Nasser's, and other Palestinians' U.S. dreamlands can not include for them--roots.

In my dream, I'm given my right of return. My dream lets my soul settle in and sigh relief--like a worker who has finally reached home after a long day.

My dream takes my spirit back to its creation place: To the Palestine from which it was ripped before it ever got the chance to ripen--uprooted and tossed into a U.S.-based cadaver, which was greedily waiting to push out and blink first in Fairfax. In my dream, my yearning spirit is allowed to escort my body home--to feel the Beitilu wind caress my face with its gentle, olive-scented palms, like a mother embracing her long-lost child.

My dream permits my eyes to gaze upon the jbal that my father once ran toward while kicking his soccer ball; and to touch the olive trees that my grandfather once leaned against, seeking shade from the high noon sun; and to breathe the air that my great grandfather once summoned into his nostrils as he planted our waton. In my dream, I am reborn into those mountains with every step I chip-away from that earth.

Yes, my Ramallah dream is different than their U.S. dreams. My dream does not hold fantastical hopes for a money-filled future and multiple knocks of materialistic opportunities--it craves an opportunity to create priceless memories that may have otherwise described my past. My dream does not atrophy into reality--it rebuilds it.

Sunday, July 19, 2009

My status

My life has been simmered down to statuses:

CURRENT FACEBOOK: Reem El-Khatib

sums up her day (so far) thusly: biological-heart shaped calf muscles; plant bite; "heeeeeloooowww" in a deep voice; stranger head nod and wave x 2; megaxe; Rita's Frozen Custard Pretzel Blendini.

CURRENT TWITTER: Callmepali included Paul van Dyk, Kelly Clarkson, Jane's Addiction, George Wassouf, & Shakira in her song list 4 the cardio-kickboxing class--sababa.

The demand by Facebook and Twitter to keep my "friends" and "followers" updated on what I am doing has taken over much of my thought process--so much so, that I find myself thinking in "status." I also find that whenever I hear or think something remotely clever, I have an urge to log on and update.

Why?

Because I need to share, so you can enjoy it and tell me so--and stroke my ego?

But I am not vane--am I?

Well, why else would callmepali want people to care about what she is doing or thinking--and more so--want them to feel that her status is interesting enough to respond?

It seems to be a subconscious cry for attention and acceptance. It's my opportunity to step into a make-shift spotlight for as many minutes, hours, or days as I'd like, without being overtly self-absorbed or causing a ruckus in a public place. It's my chance to showcase my wit, humor, charm, wisdom, and knowledge without coming off as a snob--and for you to confirm that I am witty, humorous, charming, wise, and knowledgeable. After all, I'm telling you these things because you are a "friend" or a "fan" and you signed up to know, and to read all about it.

It is also a 140-character listening and therapy session--with you as my listeners and therapists: I hint at my sadness and depression so that you can tell me it'll be OK, and to chin-up, and you can say "salamtik." I temporarily can suck your attention toward my "problems" via my status vacuum for as long as I want you to pay attention. And I can make you pity me without coming off as pitiful.

My statuses will not be likely to affect your life in any major way--but you'll likely continue to read them. And I will read yours. And we'll continue the cycle of "I'll stroke your ego, if you stroke mine." And it'll be OK and acceptable because that is what we've all signed up for.

NEW FACEBOOK: Reem El-Khatib

does not think you truly care what she is thinking right now--nor should you.

But don't you? Please respond.



Saturday, July 4, 2009

Serr

I can't get that voice out of my head. And each time it repeats, it gets louder and uglier, as does my hate for it.

But no one can know about how much I hate right now--it's a secret; serr.

And so I'll remain calm on the surface, and keep my collapse inside--hidden underneath my superficial self. There it will remain mine and it will not affect anyone else.

But the voice is excruciating: her Arabic stands out against theirs and the cackling and chain smoke I hear and imagine in the background. It's very rare that I invest enough energy to hate anything--so I must keep this serr.

"Go away, and get away," I wish.

I try to drown it out with a steady stream of amplified sound through my ear buds. The voice keeps "coming around again. When it comes, it comes unannounced and it feels like a matador is taunting me with his reddest red cloth--and I am the bull," Brandon tells me (it seems he's experienced these feelings too).

His song and those that follow simultaneously supplement the cheap voice, feeding it and emphasizing it; and are challenged by it. That hideous female voice delivers a white-noise slap on the next song's noted cheek. A duel is decreed and ensues.

The gang of songs drown out the wretched pitch of her Arabic--a language I love, but hate right now. And just as it seems the melodies would be the victor in this melee, she reveals her secret weapon, her serr: his voice.

Had his voice not been there, hers would've never been heard; had he not been there, she would not be hated. Had I not heard them together, there would be no serr to write of.

His words are more lethal than hers: They lunge at the soothing songs, and twist and turn the sharp tip of their knives through the music shield, passed the core, and into my heart.

The songs surrender, and assimilate with the challengers' posse: her voice; his voice, now amplified by songs of anguish and love and heartbreak.

It's too much. I pause my iPod, and take out my ear buds, and anxiously listen for silence. I deny the tear that just as anxiously wants to stream down my cheek--I have to; I must erase any evidence of this morning battle, and keep it serr.

Lazim a tanish. It's time for coffee with mom. I sit down on the couch in the living room, give her a saba7 il khair smile, and turn on VH1.

Thursday, June 25, 2009

The life and death of a Thriller

Today, we were all reminded that super stars are destined to the same fate as the rest of us humans. They are treated in life as superior, above, and beyond--never left alone, always in the spotlight. Today, Michael Jackson's body was shrouded and transported under watchful, tear-filled eyes for the last time.

There was nothing lavish about his final departure. At the end, we are all the same. And soon, he will finally be left alone and left to his fate with God.

But, in life, Michael was superior, above, and beyond. His music defined a generation and influenced many that came after him. That music will not expire. In that sense, Michael will live on.

He was a king who walked the moon and thrilled us all. His ability separated him from us but brought us together in applause and cheer. He was celestial and we were the astronomers. We and our children and their children will continue to scope him out with our telescopes. In that sense, Michael will always be a star.

In his later years, Michael came under scrutiny for different reasons. Instead of offering kudos, we pointed our fingers and wagged them in shame at him, accusing him of crimes and making fun of his appearance and naming him "Wacko Jacko." He was placed in the spotlight in the courtrooms and the Neverland ranch. Everything he did was analyzed and criticized. And when he attempted a comeback, we all scoffed and declared his day as done. His hysteria became our guilty pleasure--because when a king falls, he and we are reminded of his humanness, and he aligns with the rest of us, and it becomes our turn to raise our noses and dismiss him. In that sense, the sadness of Michael's later life will taint his legacy.

But we always wanted him to succeed. We wanted Michael--Jackson 5 Michael, "Thriller" Michael--to come back. We wanted his skin color back. We wanted his nose back. We wanted the image of the young man with the white glove and matching socks and the crotch-grab and the "owwwwwww" back. We were frightened and saddened by the surgical masks and the in-vitro kids and the forced clef in his chin. We loved Michael Jackson when he was a natural; we shunned him when he became artificial.

But we never denied him. And we remembered why today.

Today, he returned to a natural human state, and we fell in love with and in respect of him again. We listened to his songs with more enthusiasm than we've had for them in a long time--and we remembered our childhoods and the good ol' days, and we sang and smiled and belted out our "owwwwww"s.

Today, under a blanket and in a state that is the final destination all of us humans will eventually arrive at, you, Michael, became our super star again. And we are thrilled to have had you.

"May Allah be with you, Michael, always."--Jermaine Jackson


Tuesday, June 23, 2009

Trance

Out of my periphery I see my hands, resting on the keyboard cushion, fingers extended and grazing the keys of the board but not pressing anything. The edges of my hands and the letters on the keys become fuzzy and melt into each other--my eyes stare at this image, which becomes the gateway into my trance.

I am moved into another realm, where shapes are ever-transforming and objects are only defined by the boundaries of their colors and the pitches of their sounds. But as they dance, anything definitive about them is redefined.

I'm happily lost and choose not to use the bouncing beats to navigate my way. These are my stars and they make my universe-scape. And here I can forget and meditate and still think actively. I hear bass. I hear drums. I hear natural sounds.

And I hear his voice. Snippets of our conversation are woven into my musical muse. The shapeless beat bodies part, creating a path lit by visual memories of our discussion--I am in the Tooree living room, placed on the seat by the window. I am curled up and hugging my knees with one hand; the other hand gestures toward him as is necessary in Arabic conversation. "Shu3la" I repeat to him several times..."3al 2aleel, shu3la."

"N7abasna u sawayna u 7akayna u t3ibna"--I hear his echo. The recollection of this conversation is jarring against the liquid, soothing sounds of my trance. This debate cuts the notes like a machete to feathers. But both are organic, and both flow for hours (our discussion just a tick mark in the Palestinian conversation continuum). We, he and I, took the talk from the middle of the night to fajr. And right before the largest star in our universe emerged to tell us to stop and stare and mediate, I went to pray for solutions.

I only found more fixation.

I'm sucked out of that memory and back into the shapeless and sound-filled abyss that is my trance. My hands, still positioned on the keys of the keyboard, are coming back into focus.

I'm reawakening and realizing that I need to go back and continue the conversation.

Wednesday, June 3, 2009

Right to left

Almost 30 years of a left-to-right existance has been weakened by almost three weeks of a right-to-left life in Palestine.

I've seen and read Arabic for years; I was raised on it. But it is not the predominant language in my day-to-day life in the U.S., and so I've always looked at things from left to right. The Arabic sight standard is predominant here, and has apparently affected me in a tremendous way.

I automatically go right-to-left here. I caught myself today: "Why are the freaking pictures loading in reverse??!! UFFFFFFFFF!" Yes, even here, I'm stressed by freaking computers. The pictures were not uploaded backwards (according to U.S. standards of reading); my Arabic eyes were just viewing them that way.

?...degnahc sah esle tahw rednow I

Friday, May 29, 2009

Moving in waves

Friday day/il jum3a:
"Ya okht, ta3ali jambee...bideesh a kon jambha hay," the man said to me. We were both drops in the wave of people that was trying to push through Bab il 3omood. He was swimming next to two female tourists who were laughing at the mosh pit that had engulfed them. My Muslim brother was not having it. I obliged.

This azma was caused by a mixture of post-salat il juma3 Muslims trying to make their way home, vendors trying to make their way to their stands and to sales, and tourists just trying to make their way. It was not fun or funny. It was hot, I was still wearing my prayer garb, an 3abay and esharb (which made it even hotter), and I, along with the rest of my crew, was holding several bags of groceries and clothes that we had purchased in the souq.

Whatever dam had held us in was finally opened after several long minutes. When I saw the opening of Bab il 3omood, it was quite literally a light at the end of a tunnel, and a breath of fresh air.

Friday night/eve of Shabat:
We had returned from our pass through mukhayam Jalozon, evening trist at ZAMN, walk through ma7soomt Qalandiya, and bumpy bus ride back to Al Quds. It was time to kazdir to find an ATM and take a tour of Maisa's YMCA stomping grounds.

We walked right into a wave of people: Three Muslim-Arab girls walking toward the Old City; swells of Jewish familes, fresh from Temple, walking away. I quite literally felt like a salmon with a survivalist attitude, swimming against a current. The groups varied in size and gender, but all were donned in traditional Jewish/siknaj garb: black jackets and pants, curled hair, head coverings, long dresses. Everyone looked the same, save us.

The crowds walked freely and scattered in the fresh air--they were not held in by any invisible force as I had been after my prayer several hours earlier.

I wonder if anyone asked a comrade to switch places so that he or she would not accidentally brush up against one of us? Doubtful considering they had plenty of space to flow. And even if so, I would've been able to tell--many of them were speaking English.